Arts for advocacy: creative engagement with forced displacement in Morocco 2016-2018

Jeffery, Laura and Palladino, Mariangela and Bachelet, Sébastien (2019). Arts for advocacy: creative engagement with forced displacement in Morocco 2016-2018. [Data Collection]. Colchester, Essex: UK Data Service. 10.5255/UKDA-SN-853347

This project will develop innovative, interdisciplinary, and participatory arts-based methods to facilitate creative engagement with forced displacement in Morocco. Morocco has become a country of transit and immigration, notably for sub-Saharan migrants fleeing persecution and poverty and for those fleeing conflict and persecution in Syria. Morocco is a strategic partner for the EU in the 'management' of trans-Mediterranean migration. Nevertheless, Morocco has featured little in recent depictions of the 'migration crisis' and has been overlooked by research. In this context, interculturality, migrants' rights, violence, and racism in Morocco urgently require new modes of critical engagement for research oriented towards the generation of new knowledge for policy-making and advocacy alike. Researchers, practitioners, and activists support the emergent deployment of arts-based methods as social research tools to engage with displaced communities, pointing to the positive contribution and transformative power of creative arts for research and advocacy on forced displacement. However, this growing emphasis on participatory and interdisciplinary arts-based methods is usually limited to the 'global north'. In contrast, this project will adapt this methodological approach in Morocco. Four research questions drive this project: 1. To what extent and how can engagement with creative arts generate fresh insights on displacement in Morocco? 2. To what extent and how can arts-based methods enhance traditional social research on forced displacement? 3. How can engagement with arts disrupt power relations and enable co-production of participatory methods? 4. How can creative participatory methods generate synergies between research, advocacy, and capacity building? Our four Project Partners are 1) an NGO supporting forced migrants in Morocco (GADEM), 2) a forced migrants' association in Rabat (ALECMA), 3) an artists' collective in Morocco (DABATEATR), and 4) a UK-based refugee, asylum and migration network (GRAMNet). Our Project Partners in Morocco are invested in fostering critical engagement and improving political discourse and social acceptance in Morocco. Research activities co-designed and co-delivered in Morocco in collaboration with our Project Partners include a seminar for practitioners working on forced displacement, creative arts-based workshops for members of the 'displaced' and 'host' communities, and transnational knowledge exchange forums for practitioners. Project objectives are: 1. To deploy creative arts-based methods to generate fresh empirical and theoretical insights on displacement and migration in Morocco as a case study, and to evaluate the potential for application in other ODA contexts; 2. To co-design participatory activities to enhance the capacity of NGOs supporting displaced communities in Morocco to pursue sustainable engagement, research, and advocacy programmes; 3. To enhance the capacity of grassroots migrants' associations to engage, mobilise, and support migrants; 4. To build relationships, develop partnerships, and exchange best practice transnationally between Morocco and the UK and across academia and the third sector working on forced displacement.

Data description (abstract)

These data comprise photographs and films generated during two participatory workshops in Rabat for male and female participants from Morocco and Sub-Saharan Africa: 1) a photography and filmmaking workshop facilitated by visual artists Julien Fleurance and Amine Oulmakki in March 2017; 2) a performance arts workshop facilitated by visual artist Amine Oulmakki and performance artist Dabcha in October 2017. Workshop participants were involved in all stages of production and post-production: filming, taking photographs, recording, script-writing, scenography, post-processing, and editing.

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